The Problem with “Vibe Coding”
Posted by Dylan Beattie on 11 April 2025
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The whole “vibe coding” thing is another reminder that quite a lot of people working in tech don’t understand the difference between programs and products.
To me, programs are “works on my machine” code. The kind of things many of us crank out a few times every week. Experiments, prototypes… that script you hacked up to rename all the MP4 files in a folder? You know the one. No error checking. Hard-coded path names. Does it work on Windows? Who cares? I’m on Linux right now and I got work to do.
I have dozens of these kinds of programs I use every day. They’re tools I use to automate bits of my work. They crash all the time (“what? Oh… that person has a backslash in the title of their presentation… interesting.”) - but that doesn’t matter; I fix them, I get the results I need, I move on. The code is just a means to an end. The result is what matters.
If you’re writing software that you’re planning to ship; to distribute to other people, perhaps even sell it to paying customers? Well, now that’s a whole different ball game.
Probably the single most important lesson I’ve learned in my career, the thing that I would argue is the hallmark of “experience”, is understanding just how much work it takes to turn a working program into a viable product. It’s why developer estimates are so notoriously optimistic - and why experienced developers are so notoriously cynical. Let’s say you crank out a bit of code that’ll take responses from a web form and add them in an Excel spreadsheet. That’s not that hard… yay! we just built a Typeform competitor in one afternoon! Except, no, you didn’t. You made one thing work one time on one computer. You haven’t considered encoding, internationalization, concurrency, authentication, telemetry, billing, branding, mobile devices, deployment. You haven’t hit any of the weird limits yet - ever had a system work brilliantly for the first 65,535 requests and then fall over? You don’t have a product. At best, you have a proof-of-concept of a good idea that, if some very smart people work very hard, might become a viable product.
One of the genuinely positive things about tools like Copilot and ChatGPT is that they empower people with minimal development experience to create their own programs. Little programs that do useful things - and that’s awesome. More power to the users.
But that’s not product development, it’s programming. They aren’t the same thing. Not even close.
"The Problem with “Vibe Coding”" was posted by Dylan Beattie on 11 April 2025
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Metaphors
Posted by Dylan Beattie on 16 March 2025
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Back in 2020, when we all had a lot more time on our hands, I would occasionally hang out on /r/WritingPrompts. I stumbled across this old post today and figured I’d post it here. You know. For posterity.
Writing Prompt: You’re on a space ship with a bunch of your crewmates. You’re the only human, and apparently metaphors are a strictly human behavior. You’ve learned to cope with this, but today you’ve decided to speak in only figures of speech as a prank on the others.
“Good morning, Harzz. I feel like death.”
“Captain, you cannot feel like death. Death implies the absence of perception - and furthermore, is an experience with which you, unlike me, cannot be familiar.”
Ah, Harzz. Great science officer… pain in the ass before I’ve had my morning coffee. I should have known better. I’m about to explain when… no. You know what? This is my ship, this is my crew, and I’m tired of having to break everything down into logical, literal phrases the whole time. Today, just for once, I’m going to talk how I want to talk. They can figure it out.
“Don’t worry, Harzz. I’m just yanking your chain. I’m just a bit wiped out today, that’s all. I’ll be as right as rain after I’ve had a cup of joe.”
I head to the galley, leaving the bemused Harzz staring after me. You know, this could actually be fun…
We’ve been out here six weeks, along the edge of the disputed zone. One of those missions that feels like more of a box-ticking exercise than anything else - the “dispute” turned into more of a cold war decades ago, we’ve surveyed every rock in this place a dozen times over. No settlements, no life signs, no hostiles… HQ thinks having a couple of ships along our edge of it keeps things under control, and so far they’re right. Looks like today’s gonna be another long, dull day of empty space and blank scopes.
Sometime around ten, I wander into the mess to find the crew gathered there. Harzz, Djanik, Kjin-ti… time to have a little fun. I pour myself a cup of coffee and sat down.
“Welcome, captain. We were just reviewing today’s mission telemetry. Would you like a report?”
“No, Djanik, that’s OK. I’ll review it later. I was just thinking, you know, us out here together all these weeks, maybe it’s time we got to know each other a little.”
“Are you concerned about the crew’s performance, captain?”
“No, nothing like that. Just… you have to admit, this mission isn’t exactly keeping us busy. Thought maybe we could swap a few stories, help to pass the time. Did I ever tell you about my parents?”
“Your parents, captain?”
Here we go. This was gonna be fun.
“Yeah. You probably know my dad - he’s a big cheese, was one of the top brass for a while. It wasn’t always easy for him - he was always the kind of guy who called his own tune, y’know, marched to the beat of his own drum.”
“Captain, forgive me, I had no idea your family were musicians. I thought your father was an officer in the Federation.”
“Yes”, interjects Djanik, “and I had always believed your species was carbon-based. I did not know it was possible to create sentience from dairy products and metal alloys.”
I go on. “Well, he was a real high flyer back in his academy days - gave him a reputation as a bit of a hard-ass”
“I was unaware that altitude affected the composition of your species’ buttocks, Captain. This is fascinating.”
I catch Kjin-ti whispering to him “don’t be an idiot, Djanik! The captain already said his father was top brass - that explains the altitude and the composition!”
I’m already struggling to keep a straight face. “One night, dad and some of his classmates head out - they got some shore leave, decide to go out, paint the town red, see if they can pick up some birds”.
“Your father’s dedication to urban maintenance and wildlife conservation must have impressed the examiners at the Academy, captain”
“Perhaps, Djanik. Perhaps. Now, you gotta realise, my dad was normally an early bird - up at the crack of dawn most days…”
(I overhear Kjin-ti again: “Djanik, I have never heard the dawn crack… is this an Earth phenomenon?”. Djanik replies “I am confused as well, Kjin-ti. The captain’s father is now a bird made of brass and cheese. I am finding the aerodynamics difficult to calculate.”)
“…but my mum was a night owl; the kind of woman who was always burning the candle at both ends. Well, story goes, their eyes met across a crowded dance floor.”
“Their eyes? Did the rest of their bodies meet as well, captain?”
I laugh. “I guess you could say that, Kjin-ti. They were like glue after that night.”
Djanik nods. “Your mother must have used the heat from her candle to catalyse the proteins in your father and create an adhesive. I hope her feathers were not damaged during the process.”
Just as I can’t hold it any more, the alarm rings out. Djanik’s face is impassive. “High alert, captain. All stations.”
“Wait.”
The crew stop and stare at me. This was irregular.
“High alert, Mr Djanik? How high?”
“I… do not understand the question, captain.”
“Djanik, you said there was a high alert. I would like to know: how high is the alert?”
“I… captain, it is a high alert. We should respond at once!”
“Computer, cancel alert.” The crew are all staring at me now. “I’m sorry I deceived you. There is no alert. I was merely trying to make a point. When the alarm went off, you all recognised it as a high alert, correct?”
They nod.
“But that doesn’t mean anything, really, does it? The alert doesn’t actually have a height.”
They’re still staring, but the penny is starting to drop (I must remember to try that one on them later.)
“So… a high alert is more serious than a regular alert… yes?”
They nod again.
“Why do you think that is?”
Kjin-ti figures it out first. “Gravity, captain. Your species evolved language on a planet with gravity. You associate height with magnitude - size, scale, danger. For your ancestors, big things were high, and big things were dangerous.”
I smile. “Go on…”
“…and…” the leap in cognition is right there. She goes for it. “…and your language is built on comparisons. This is why you speak of turning up audio signals and turning down invitations, when neither of these involves a change of altitude.”
Djanik is deep in thought. “So, you say your father was a big cheese… and large things are important in your society. Was your father made of cheese, captain?”
“No, Djanik. We humans don’t just use spatial metaphors about size and height. We use images from nature, from our surroundings. Among my ancestors, to own a large piece of cheese was a sign of wealth and affluence, at a time when many humans had insufficient food.”
“And your mother… was not really an owl.”
“No, Harzz. She was 100% human, same as my father, same as me. But the owl was a nocturnal bird back on Earth, so people who stayed up past dark were called night owls.”
“I see. Captain, your species’ style of communication is highly illogical… but I begin to see how, in the absence of telepathy or pheromones, it may have given you an evolutionary advantage. Fascinating.”
The crew sit in contemplative silence for a few minutes. I pour another cup of coffee and return to the bridge, check the readouts, lay in a course, and the ship thunders to life, tongues of flame licking from her engines, an arrowhead streaking through the heavens, the stars around us an infinity of diamonds scattered across the velvet darkness of space.
"Metaphors" was posted by Dylan Beattie on 16 March 2025
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